How can i make a podcast on my mac

Have you checked out my podcast about building a SaaS? Before you do anything else, you need to pick a topic.


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To do this, you're going to answer two fundamental questions: Who is this podcast for? What is it for? Next, do your research It's not enough to pick a topic. To really stand out, you'll need to ask yourself: What unique perspective can I bring to this subject? A good tool for doing podcast research is Chartable. For more about choosing your audience, check out: Choose your audience wisely Quit trying to attract a crowd the takeaway here is asking: how can you help people? Don't make stuff for hippies audio Now, start practicing Don't run out and buy a bunch of recording gear yet!


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  5. What is a podcast and how do I create one? » Internet » Mac » Tech Ease.
  6. GarageBand Tutorial for Podcasters: How to Setup, Record, and Edit a Podcast on a Mac.
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  8. Practice by recording something on your phone. Repeat over and over again: practice recording that same episode dozens of times The idea is to start small. For more on practicing podcasting, read this post. This one is a good start. It turns out, bandwidth is expensive!

    How to record and edit your podcast Most podcast interviews or co-hosting calls still take place over Skype.

    Mac Podcast - How to create a podcast on the Mac using GarageBand

    How to book podcast guests When you're looking to book guests, send people genuine emails that show you know who they are, and what they're passionate about. How to launch and promote your podcast on iTunes. The most important channel for your podcast will be Apple Podcasts. Submit your feed by going to Apple Podcasts Connect. You'll need to wait hours or longer for Apple to email you a confirmation email.

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    You need to get as much initial traction you get rating, downloads, subscribes will determine how you rank in iTunes. Write your network individually, and ask them to rate the show. If you use Overcast to listen to podcasts, you can share the show on Twitter. Find an online community that would be interested in the show.

    More resources You can watch me create a podcast, from start to finish, in this YouTube video. Get my newsletter Thanks! You'll now receive my newsletter every week. Have questions? Email me: justin megamaker. There was an error submitting your subscription. To disarm a track, click the record-enable button again. Any armed tracks will record simultaneously when you press the record button. GarageBand will not record the same input to multiple tracks. Make sure you have your outline or interview questions handy, take a sip of water, and start recording!

    Once your recording is complete, the next step toward finishing your podcast is to edit it. In addition to simply dragging audio regions around in the workspace, there are a few bread-and-butter tools in GarageBand that will do most of the heavy lifting in your edit.

    How to use the Podcasts app on Mac

    Let's walk through them. The trim tool allows you to shorten an audio clip by dragging in from the edge to reveal previously trimmed audio, drag the edge back out. The trim tool in GarageBand appears when you hover your cursor over the lower right edge of an audio region. An example use case might be that your intro music is longer than you need it to be. Using the trim tool, you can shorten the intro music region to an appropriate length.

    With this tool, any selected region will split into two separate regions, which can then be independently moved, trimmed, etc.

    Let's say you have a few seconds of an interview that you want to delete from your edit. You could isolate the offending region via Split Regions at Playhead and delete it, then close the resulting gap by dragging everything that follows to the left. Delete and Move performs those two steps at once, both removing the region you don't want and moving the regions that follow automatically.

    Once you've trimmed an audio region or used the Split at Playhead tool, the result may be a truncated clip that stops abruptly. GarageBand doesn't have a Fade tool like many other DAWs, so you'll need to use automation to create volume changes. GarageBand defaults to show volume automation, but you can also automate many other parameters by selecting from each track's dropdown menu.

    With automation visible, click anywhere on a region in the workspace to create an automation node. A bright yellow line will appear, and you can add additional nodes. Drag a node down or up to decrease or increase the volume level for that track at the given moment.

    GarageBand is, first and foremost, a music editing software. You can apply each of these techniques to royalty-free music tracks think Intro and Outro segments and also create your very own music tracks as well. You can record real instruments like a guitar or drum kit or use one of the virtual instruments that come with GarageBand like synth, keyboard, or one of the software instruments.

    Just add a new instrument track for each layer and experiment with creating your very own theme music. Pro Tip - Apple Loops are prerecorded musical phrases or riffs in the Loop Browser that you can use to easily add drum beats, rhythm parts, and other sounds to a project. These loops contain musical patterns that can be repeated over and over, and can be extended to fill any amount of time.

    We recommend composing any music tracks in a separate GarageBand project so you can focus on dialing in the perfect tune without it being impacted by the other parts of your podcast episode. Once you've edited your recorded content to your liking, you'll need to arrange and mix the tracks into a cohesive episode. There is no uniform way to do this, but it's generally a best practice not to put multiple types of audio on the same track.

    Music, sound effects, and each voice, for example, should be kept on their own tracks. One option to get you started is to arrange your audio tracks chronologically, beginning at the top. In this example, we have an intro clip taken from the interview that starts the episode, followed by theme music on a track just below, then intro narration, then the interview itself, and so on. This arrangement affords a level of visual organization, with audio cascading from top left to bottom right.

    Another option is to use one track per audio source so that any track-level effect processing you do EQ, compression, etc. In this setup, the intro clip would be on the same track as the interview, since they're from the same source. Intro and outro narration would be on one track, assuming both segments were taken from the same recording. Intro and outro music could potentially be on the same track if you're not using different processing on them. In addition to track-level effects, this approach can minimize the number of tracks you use in your mix and save vertical real estate in your workspace.

    At its heart, mixing is simply the process of striking a good balance between the levels of your different tracks. You want to avoid extreme differences in volume as your listeners move from intro music to narration to the interview, etc. In GarageBand, each track has a metered volume slider in the track header. Listen to your episode content and make sure the voice levels are triggering a healthy green on the meter. If they're reaching yellow or red, turn them down accordingly. Do the same with any sound effects, narration, and so on. Balancing the volume of each track in this way will give you what's called a static mix.

    Once you've set your static mix overall volume for each track , you can leverage the power of automation. Add volume automation to music to dip it under your intro narration or to fade the level out smoothly and gradually. If there are any cuts in your audio that cause a pop or click, you can use the GarageBand automation "crossfade" trick to eliminate them. Next, you may want to use audio processing plugins like EQ or compression to shape the tone or dynamic range of your material.

    Don't go overboard — a "less is more" approach is recommended in most cases. Make sure that any effects processing doesn't add or subtract volume from your static mix — those levels you liked at the outset are your true north.